It faithfully re-creates the Foxx Tone Machine from the early '70s, the best 'octave up' effect of all time. For piercing, shrieking, scalp-searing solos, you NEED this machine.
The Danelectro DJ14 Fish and Chips EQ Pedal has 7-band graphic equalization for stage or studio use. It is noise-free and includes 7 level controls for overall boost or cut of +/- 15. An in/out knob gives you intant EQ control.
Designing MojoMojo Overdrive was both very simple and very complex. We knew what we wanted from the start: A pedal that sounds like an amp, with a very open character and little compression allowing even the most subtle of your playing to shine through. We basically set out to capture lightning in a bottle with a clarity that even allowed for complex chords to stand out - did we succeed? Well, plug it in, play one lick, look us in the eye and try to tell us we didn't!
The Planet Waves Chromatic Pedal Tuner is a sweep and strobe tuner with patent-pending intuitive rotary user interface housed in a rugged, road-worthy metal enclosure.
An oversized note name indicator and super-bright tuning LEDs combine to make on-stage tuning easy in all lighting conditions. Professional features like true hard bypass for preserved tone and dual 9v AC jacks make the Chromatic Tuner at home in any pedal board configuration. In Strobe mode, the played note appears in green on the oversized rotary display while red LEDs chase clockwise if you're sharp and counter-clockwise if you're flat. They slow down and finally stop as you nail the pitch. In Sweep mode, the LEDS sweep left or right indicating whether you're flat or sharp. A big, multi-segment note indicator in the center of the display is very legible when standing. The pedal activates the mute/bypass circuit while 3 controls above it select the tuning mode and user-selectable A435 A445 calibration. The Chromatic Pedal Tuner runs on an included 9V battery and has 9V I/O for daisy-chaining other pedals. With its large display and true bypass that doesn't mess with your tone, it's ideal for electric guitar players who have to perform in dark conditions and who use pedalboards.
The first in a line from the MXR Custom Badass design team, the MXR Custom Badass ’78 Distortion is a factory-modded pedal that roars with huge amp stack tones and old school tube amp-like distortion. The '78 Distortion's wide open amp-like sound sounds great whether it's in front of a clean amp, a slightly dirty amp, or a full on overdriven amp. Under the hood, this high performance machine features top notch circuitry and hardware meant for a lifetime of use.
One of the most popular compressors of all time, the Dyna Comp is the secret weapon on many stars' pedalboards. This box will produce that percussive, clicky sound on a clean guitar that you've heard on so many pop hits. It also adds smooth sustain to lead lines.
This is the crazy effect heard on Jimmy Page's "Fool In The Rain" solo. The Blue Box takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone. The Blend knob lets you control how much of the effected tone you mix in with your dry signal. Not for the timid - there is truly nothing like the Blue Box.
MXR's M-104 Distortion +. This little yellow box is responsible for those great distortion sounds heard on so many classic recordings.
Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for the tone that made Randy Rhoads famous. There still isn't any distortion unit on the market that sounds like the Distortion +.
MXR's M-115 Distortion III. Developed from the ground up using carefully selected components, the Distortion III delivers everything from sweet singing overdrive to massive distortion crunch!
It's natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let your guitar's personality shine through. Like all MXR pedals, the Distortion III features a heavy-duty casing, switch and jacks for a lifetime of use.
Adding a preset amount of gain with just a single control, the Micro Amp is a great way to boost your signal for lead work or adjust between two different guitars with unmatched output (i.e. humbuckers to single-coils). It can also provide a permanent boost in a long effects chain where signal dropoff is a problem.
The Electro-Harmonix Metal Muff with Top Boost features 3 powerful EQ bands that are ideal for sculpting mids and a total of 6 controls for shaping sound precisely your way. Top Boost adds serious bite with its own control knob and footswitch button. Electro-Harmonix Metal Muff with Top Boost Specifications: DISTORTION CONTROL adjusts the amount of input gain. The optional 9V power supply from Electro-Harmonix is US96DC-200BI 9.6 volts/DC 200ma. The barrel connector on the front of the METAL MUFF is for the 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. Electro-Harmonix Metal Muff with Top Boost Features: Volume, Top Boost, Treble, Mid, Bass, and Distortion knobs Boost and bypass footswitches
The Electro-Harmonix Small Clone Analog Chorus Pedal delivers luxurious analog chorus effects, a distinctive tone, and flexibility that sets it apart from similar guitar effects pedals.
A depth switch and single rate knob make this an easy-to-operate stomp box. Simple tweaks generate exciting doubling effects, chiming 12-string-style sounds or Leslie-like warbles. Its solid nickel steel case replicates the highly collectible original. Operates on a 9V battery or AC adapter. Electro-Harmonix Classics Small Clone Analog Chorus Guitar Effects Pedal Features: Luxurious analog chorus effects Depth switch Single rate knob Solid nickel steel case Operates on a 9V battery or AC adapter 9DC-100 power supply optional (product# 336050).
Like the legendary Big Muff Pi of the '70s, the reissue Electro-Harmonix USA Big Muff Pi Distortion/Sustainer Pedal has 3 controls that let you dial in the finest harmonic distortion/sustain ever produced. The Volume control adjusts the output level.
The Sustain control optimizes the long sustain with just the right amount of harmonic distortion. The Tone control provides a range of sounds, from warm bass to crisp treble.
When people talk about wah pedals, they're talking about the Crybaby Wahs. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Crybaby was first created in 1966 by engineers at the Thomas Organ Company. This new and expressive effect was an instant hit with players like Jimi Hendrix and Eric Clapton, who have contributed to the Crybaby's Wah's huge popularity to this day. While other effects have come and gone, the Crybaby just keeps getting better with age.
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