Dunlop's DB-01 Crybaby From Hell pedal.
This might just be the most flexible, powerful wah pedal ever. Designed in conjunction with legendary guitarist Dimebag Darrell, the DB-01 Crybaby From Hell features an extended sweep range with a fine tune knob, 6-way range selector, kick-in volume boost and LED indicators (Wah on/off, Boost on/off) at the back of the pedal. This hot-rodded pedal gives you everything you need to do serious wah damage.
Dunlop's SW-95 Slash Signature Wah pedal.
Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash’s very own custom wah pedal — a tool as essential to the hard rock icon’s style as his Les Paul and Marshall amp. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there’s no more guessing game every time you put your foot down. And with the batteries readily accessible from the top of the rocker pedal, you don’t have to fumble with a screwdriver when its time to re-power. So get your boot on a Dunlop Slash Wah. Top hat not included.
John's was one of the first rock stars to join our TonePrint program and his sounds proved so popular we decided to cooperate intensely and capture his interpretations of classic TC effects. We joined forces and the result is what happens when you set John free on the effects that inspire him.
It's a looper, it's a multi-tap delay, it's an echo with reverse...its got all the Hazarai.
The Stereo Memory Man is a real time performance tour de force. As a Looper it has up to a full 30 seconds of loop time. World class echoes with modulation and reverse are just a few of the choices. The Stereo Memory Man with Hazarai is destined to be one of the most creative instruments you will ever own. Ethereal tone-scapes to full musical performances are only limited by your imagination. And it's all in stereo.
The original Ditto Looper rocked guitarists with a lust for looping like nothing else. Finally something that was simple, made for guitarists and sounded great. What would possibly be better? Well, how about all of that, plus new, next level looping features forged from pure awesome?
Take control of your pedalboard! The Loopbone is a compact, easy to use switcher that allows the guitar player to insert, remove and combine two effect pedal chains with footswitch ease. This is particularly advantageous when using older pedals that can add noise and load problems while in the signal chain. As well, the Loopbone incorporates Radial's superb VariBoost™ variable gain power booster for a clean signal increase or as post-effects boost for soloing.
The Tonebone Classic Trimode is our most progressive pedal ever! Trimode gives you instant access to superb clean, rhythm and lead tones without tap dancing. And tone you will receive. Based on the heritage of America's finest tube amplifiers, the Trimode delivers five generations of tone from the slight overdrive of early rock & roll to blistering power tones of today's high gain amps.
Following the award-winning Tonebone Classic, the Trimode combines the warmth and even harmonics of a 12AX7 tube with our unique dual-stage drive for the natural dynamics and response of a vintage tube amp.
As the name implies, Trimode has three settings: 'True Bypass Clean Mode' for the natural tone of your guitar - direct to your amp; 'Rhythm Mode' with input drive, output gain and our unique Interstage™ drive to precision-tune the mayhem you are about to unleash; and 'Solo Mode' with its own input drive, output gain, and mid boost for days of sustain. Trimode goes even further with a built-in effects loop on the solo channel that lets you instantly engage a delay or pedal chain with a single foot action.
Trimode: 3 modes, huge tone and amazing dynamics – finally, a pedal that sounds and feels like a real tube amp!
This two channel tube distortion pedal combines the natural warmth and harmonic generation of a 12AX7 tube with the control and saturation of our unique multi-stage solid-state drive circuit. This combination provides incredible gain with tons of overtones and, when combined with our unique passive-interactive EQ, produces four generations of Marshall Plexi tones worthy of a Shakespearian Ode.
Designed to enhance on-stage functionality, the Plexitube™ features two distinct distortion channels for on-the-fly transition between rhythm and lead settings. Channel-1 has been optimized for rhythm with chunk rhythm tones and scooped out mids for a thunderous wall-of-sound and complete world domination. Channel-2 is optimized to produce razor-sharp cut for solos and sustaining mids that are so smooth, they can make a grown man cry. This is augmented with an effects loop that can automatically turn your delay on for leads. No tap dancing!
When the Plexitube is off, true-bypass connectivity ensures the natural tone of your guitar goes directly to your amp without obstruction or a tone robbing load.
The Radial Tonebone Plexitube takes metal guitar one step beyond anything you have experienced so far.
Flashback Delay. The sounds, the vibe, TonePrints, the entire package - it was a smash hit that rocked the world. But at TC, we're more about moving things forward and listening to the feedback from the guitar community. And so, when wishes for things like presets and tap-tempo started rolling in, we listened. And boy, did we knock it out of the park.
Back in 2005, Electro-Harmonix unveiled the original POG, a polyphonic octave generator that enabled guitarists to conjure everything from the surreal jangle of an 18-string guitar, to rich, thick walls of symphonic sound.
The POG2 will take you even higher. Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.
The POG2 delivers unrivaled tonal variations—and now you can save your favorite settings, and recall them with a click. The POG2 just plain sounds better, thanks to an enhanced algorithm that delivers a more focused and in-the-pocket harmonic performance. And all this is now packed into our rugged and pedalboard-friendly diecast chassis.
The Electro-Harmonix 2880 offers the familiar control setup of a multitrack digital recorder plus flexible looping capabilities and track manipulation control. Multiple loops, in stereo and mono, can be pitch shifted, reversed and manipulated on four recording tracks. These four tracks can then be moved to two mixdown tracks, freeing them up to be reused. Flexible punch in/out is available on any recording track, allowing the musician to achieve "Looper Perfection" with the 2880. Complex multitrack loops may be created and overlaid in a performance situation with ease The 288's non-compressed audio delivers 44.1k 16 bit CD fidelity while providing audio storage of 480 seconds for each of the six available tracks when using a 256MB CF card. It comes with 128MB CF card and is comptable with cards up to 2GB. With external in/out midi clocking, it also provides automatic format conversion to Mac or PC via USB. Electro-Harmonix 2880 Super Multi-Track Looper Features: Non-compressed audio 44.1k, 16-bit CD fidelity Audio storage of 480 seconds for each track 6 available tracks when using a 256 megabyte card (expandable to 2 gigabytes). External in/out MIDI clocking Automatic format conversion to Mac or PC via USB. Complex multi-track loops can be created with ease.
Blast off to a whole new universe of sounds with the Electro-Harmonix HOG, a polyphonic guitar synthesizer with NO special pickup required. It gives you complete control of up to 10 interval pitches including fifth and third intervals, glistening filter sweeps, and insane pitch bends.
Dedicated filtering and envelope control, with numerous setup options, make the HOG a must-have performance instrument. The HOG can simultaneously generate multiple octaves and harmonics from your input signal. Whether you play single notes, arpeggios or full chords, the HOG will track every note you play. In addition, the HOG has seven expression modes that enable you to modify your sounds using a standard expression pedal, a MIDI controller, or the expression button on the HOG itself. There is also an amplitude envelope and a 2nd order low-pass filter with resonance. The optional EH foot controller allows you to store and load six presets. You have control over the HOG's basic audio circuitry with an input gain slider (with clip LED), a dry output slider, and a bypass switch. Audio I/O includes 1/4" Hi-Z input, 1/4" output, and a buffered direct output jack. The voice controls let you access the polyphonic synthesizer section. There are 10 voice sliders on the HOG, each with a white cap with a black line that controls the output volume for its voice. The ten sliders let you generate notes two octaves down, one octave down, the incoming signal, a fifth up, one octave up, an octave up plus a fifth, two octaves up, two octaves up plus a third, three octaves up, and four octaves up. The selectable envelope section controls the amplitude attack or decay of the voices, with separate sliders for the lower five voices and upper five voices. The Spectral Gate button activates circuitry that emphasizes the loudest frequency or harmonic and reduces the volumes of all other present frequencies and harmonics. The filter frequency slider controls the cutoff or peak frequency of the low pass filter, while the filter resonance slider controls the Q or peak of the filter. The HOG's seven different expression modes are selected consecutively by the expression mode switch: bend one octave, bend one step, volume, freeze plus gliss, freeze plus volume, wah-wah, and a filter. There is also an expression reverse mode and you can control the expression modes externally with an expression pedal or modulate any of the expression modes using MIDI pitch bend. Electro-Harmonix Classics HOG Synthesizer Guitar Effects Pedal Specifications: WARNING: Use only the 9VDC/500mA AC adapter supplied with the HOG. Do not use any other AC adapters. Using other AC adapters, even those made by Electro-Harmonix, could cause harm to the unit, the adapter or you. The HOG does not use batteries. Electro-Harmonix Classics HOG Synthesizer Guitar Effects Pedal Features: Polyphonic guitar synthesizer No special pickup required Tracks single notes, arpeggios, or chords 10 interval pitch voices controlled by sliders Dedicated filtering and envelope control 7 expression modes controllable by expression pedal or MIDI Spectral gate frequency emphasis Input gain slider Dry output slider Bypass switch 1/4" Hi-Z input 1/4" output Buffered direct output jack Expression pedal input MIDI input
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